| | | | | | | | | | | | | | | In the early aughts, names such as Zhang Xiaogang, Liu Xiaodong, and Zhang Huan might have drawn blank stares from Western collectors. Then, with an explosion of museums, galleries, and prices, China became the hottest stop on the international art circuit. In the cultural capitals of Beijing and Shanghai, Barbara Pollack examined the forces in a stampede of new money, unleashed talent, and national pride, while Jonathan Becker turned his camera on the then vast new canvas. | | | | | | | | | |
No comments:
Post a Comment