Earlier this month, Andrew and Tristan Tate strutted around Washington as MAGA royalty. It was surprising, then, to see the footage that emerged after the Tates returned last weekend to the manosphere hub of Miami. Federal agents arrested Andrew, wearing a half-buttoned purple mesh shirt and his customary ultracropped, ultratight pants, and Tristan, in a rigid three-piece suit, after British authorities brought 38 new sex-crime charges against the brothers, bringing the total counts against them there to 59, and made an extradition request that left prosecutors working for Trump’s Justice Department fighting on the United Kingdom’s behalf. Dan Adler writes about the brothers’ reversal of fortune, and poses a burning question: Has the manosphere lost its political cachet?
Elsewhere, Chris Murphy digs into the—ahem—impossible quest to release the soundtrack to Whitney Houston and Brandy’s canonical 1997 take on Cinderella, while Claire Howorth has a lovely meditation on the joys of Phish. (I’m not super familiar with the band’s work, but I do admire them for inspiring the best Ben & Jerry’s flavor.) More tomorrow!
|
HILLARY BUSIS,
FEATURES EDITOR
|
“Andrew Tate was a material participant in ensuring President Trump’s victory,” Joseph McBride, his longtime lawyer, tells Vanity Fair. But as the influencer and his brother face extradition to the United Kingdom on rape and sex trafficking charges, Karoline Leavitt says the president won’t intervene. Has the manosphere lost its political cachet?
|
|
|
Recording the album was a magical 48-hour whirlwind. Whitney Houston, a superstar in her vocal prime, and Brandy, the rising talent just discovering the full scope and range of her gifts, joined forces with the best producers in the game. So where is it?
|
The lot scene may be gone, displaced at MSG by James Dolan’s surveillance apparatus, but the joy that made Phish a billion-dollar act is still strong. A Vanity Fair editor and onetime fan finds her way back after a long hiatus.
|
|
|
Following the 45th anniversary of Charles and Diana’s lavish royal wedding, we revisit the October 1985 issue when then editor in chief Tina Brown examined how much marriage had changed the princess: “The introvert unable to cope with public life has emerged as the star of the world’s stage.”
|
|
|
This e-mail was sent to you by VANITY FAIR. To ensure delivery to your inbox (not bulk or junk folders), please add our e-mail address, vanityfair@newsletter.vf.com, to your address book.
View our Privacy Policy Unsubscribe
Copyright © Condé Nast 2026. One World Trade Center, New York, NY 10007. All rights reserved.
|
|
|
|
|
No comments:
Post a Comment